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STUDIOS YARD / PRODUCTION 06EDIT / COLOR / SOUND
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EDIT / COLOR / SOUND
STUDY / 06Select

01 / 03Find the performance, image and sound that actually carry the story.

Post-Production

The story is often found twice: once on set, then again in the cut.

We handle editorial, color, sound, titles, cleanup and versioning as one finishing system, turning captured material into a coherent final piece with the right pace, tone and delivery formats.

PUBLIC WORK / SELECTED FRAME

See the related work before the production notes.

DIRECTOR'S NOTE

Post-production is where footage becomes intention.

The edit decides what the audience notices, how long they feel it, and whether picture, sound and rhythm belong to the same piece.

WHEN TO CALL STUDIOS

The production signals are usually visible before the camera arrives.

01

A shoot has strong footage but no clear narrative or edit structure yet.

02

An existing cut feels slow, repetitive or emotionally flat.

03

A film needs consistent color, titles and sound before public delivery.

04

One master needs to become multiple platform-specific versions.

05

Interview material needs a stronger story rather than a chronological assembly.

06

A production needs finishing support without reshooting the entire piece.

SHOT LIST / WHAT WE MAKE

Build the piece around the story it needs to tell.

SHOT 01

Editorial

Story, pace and structure built from the strongest available material.

SHOT 02

Color finishing

A consistent visual finish that supports tone, brand and continuity.

SHOT 03

Sound edit and mix

Dialogue, music, ambience and effects balanced to support the cut.

SHOT 04

Titles and graphics

Typography and graphic elements integrated into the film’s visual language.

SHOT 05

Cleanup and finishing

Practical visual fixes and refinements that help the material hold together.

SHOT 06

Versioning and delivery

Platform, duration and aspect-ratio variants derived from an approved master.

PRODUCTION FLOW

From first decision to final master.

  1. 01

    INGEST

    Organize footage, audio, graphics and reference material into a workable editorial structure.

  2. 02

    ASSEMBLE

    Find the core story, selects and rhythm before polishing details.

  3. 03

    REFINE

    Tighten structure, performance, timing and transitions around feedback.

  4. 04

    FINISH PICTURE

    Complete color, graphics, cleanup and visual consistency.

  5. 05

    FINISH SOUND

    Balance dialogue, music, ambience and effects around the final cut.

  6. 06

    MASTER

    Create the approved exports and agreed alternate versions.

DELIVERY REEL

What comes out of the room.

01Master edit02Color grade03Sound mix04Title package05Cutdowns06Platform exports
STUDIOS PRINCIPLE
The edit is not where production ends. It is where meaning becomes visible.
FAQ

Questions before the slate closes.

01Can you edit footage you did not shoot?

Yes, when the available footage, rights and technical quality support the intended result.

02Do you provide color grading?

Color finishing can be part of the post-production scope.

03Can you clean up dialogue and audio?

Sound editing and mixing can be included depending on the material and required finish.

04Can one master become multiple social versions?

Yes. Cutdowns and alternate aspect ratios can be derived from the approved master.

05Can you add titles or motion graphics?

Yes. Titles and graphic elements can be integrated into the post workflow.

06How many edit revisions are included?

Revision structure depends on the agreed scope and production plan.

HAVE FOOTAGE THAT NEEDS TO BECOME A FILM?

Bring us the material, the intended audience and the feeling the final cut needs to land.

START A POST PROJECT ↗